Let’s drink beer and listen to some opera!

If you are at home and want to listen to good music and have some drinks its very easy these days to order a dial a booze delivery, often in under 1 hour you have your order done.

I’ll be singing at Prachtwerk in Neukölln for Berlin’s first ever ‘Opera on Tap‘ on February 10th! If you don’t know what ‘Opera on Tap’ is, let me give you a quick rundown:

  • Singers give accompanist music
  • They probably don’t rehearse
  • Everyone gets a beer (including singers)
  • You listen to drunk opera whilst drunk

I dunno about you, but that’s basically the dream, and why they serve refreshments at intermissions at opera. And by refreshments I mean brandy, wine, and chocolate. Going to the opera doesn’t always have to be an intellectual affair. Opera is about emotions and beauty. Opera’s meant to be crazy, and ‘Opera on Tap’ brings back the rowdiness to opera that was lost somewhere along the way. Back in the day, like when Mozart was king, operas used to be something more akin to a rock concert (you’ve seen Amadeus right?). People would get get several glasses of wine and shout at the performers. “Bravo” wasn’t just reserved for the end of an aria, but would be shouted in the middle of a performance. And if an aria was exceptionally exquisite, an audience could demand an immediate encore.

Imagine this:

Rock Concert_112

But here:
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That was opera in its hay-day, my friends.

Back in college, every once in awhile some friends and I used to get together and have opera marathons. “MARATHONS?!” you’ll think, but let me tell you, this was more like watching Buffy, or Game of Thrones. We would make breakfast, watch some Rossini, have some coffee while watching some Strauss, make lunch with Berg, and round off the night with a drinking game to Saint-Saëns. Never for one moment did it feel like work, because we allowed ourselves to have fun and take it a bit less seriously.

Nobody tells you that that’s OK, but it’s totally OK.

Anyway, long story short, come get drunk with us and we’ll sing some opera for you!

A Few Alleviations For Dysphoria

So sometimes I get dysphoric. No shit, I talk about it enough here and on my YouTube channel right?

But really, there are just some times when I can’t shake the transgender dysphoria blues. I thought I’d share some of the things I do to make myself feel better about my gender shit.

  1. Reading this list on Autostraddle
  2. Watching Avatar the Last Airbender
  3. Watching Adventure Time
  4. Making online avatars of myself
  5. Making a character in an RPG and making him act like a jerk
  6. Playing a video game I’ve played a million times and am really good at. I like to use this website android4fun.net to find many more.
  7. Playing a visual novel as a male character
  8. Drinking a lot of coffee (like, maybe too much)
  9. Writing
  10. More writing
  11. Talking/complaining/crying to a friend
  12. Lifting weights to aggressive metal and watching kung fu movies
  13. Playing guitar
  14. Riding a train with my music turned all the way up
  15. Making myself something nice for dinner
  16. Taking myself out to dinner
  17. Dressing up really dapper
  18. Taking myself out on a date and knowing I’ll make it to third base
  19. Being around people who will always get the pronouns right
  20. Delving myself headfirst into a novel and don’t really stop until I finish
  21. Lying on my floor and listen to music
  22. Eating something really spicy
  23. Pretending I’m crying because I’m eating something really spicy
  24. Looking at pictures of cats
  25. Photoshopping my head on male bodies
  26. Singing*

What do you do when you’re feeling dysphoric?

*Sometimes this has the opposite effect but, eh, what can you do?

A Holden By Any Other Name

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Something that happens to me with relative frequency is, when I introduce myself to someone for the first time, I have a dialogue nearly identical to this:

Me: Hi, I’m Holden, nice to meet you.

Them: Holden…that’s an interesting name!

Me: Yes it’s sort of uncommon.

Them: It’s beautiful.

Me: Thank you.

Now, the subtext of the conversation is actually this:

Me: Hi, I’m Holden, nice to meet you and pretty please pick up on my masculine name and don’t get my gender wrong.

Them: Holden is a very interesting name for a girl!

Me: Although I’m not a girl, yes it’s sort of uncommon.

Them: I’m going to describe it as beautiful because as a woman you probably want to have this very masculine name be feminized to make you feel better.

Me: I’m not really sure what else to say, so I’m going to say thank you.

When I was choosing my name, I had a lot of decisions to make. Think about all the decisions behind choosing a newborn’s name, except with the added preconceptions of gender that I now have about myself, and about the society that I live in. I went through every baby name database I could find, went through all of my favorite characters in games, anime, movies, and cartoons, and then picked middle names from them as well. I set up a document where I combined all of these names with my last name and with various middle names like puzzle pieces.

Holden was not my first choice, actually.

Before I was born, my parents thought I was going to be a boy (haaaaaa), and were going to name me Forest John Madagame. Super cool name, as far as I’m concerned. Unfortunately, I now have a nephew of the same name, so it’s basically off limits.

The names I narrowed things down to afterward were: Rainer, Holden, and Hunter.

Having an ‘H’ name was not a requirement for me, but having two syllables, something sort of earthy or Foresty, and something definitively masculine were requirements. Rainer was actually my top choice, but after talking to a few German friends, I realized that Rainer was not as cool a name in German (sounds something like Willibald in English), and also doesn’t sound as elegant. Sorry Rilke, I tried.

I ended up going with Holden because…well, it suits me, right? It’s not too cool, it’s a little bit weird, and it’s uncommon enough that I feel like I’m not taking someone else’s name. No, I didn’t choose it because of Holden Caulfield, which is what about 50% of people ask. I also didn’t know it was an Australian car until after I revealed my name to my Aussie friends.

I had thought possibly that having a gender neutral name would really suite me, and looked up neutral names almost exclusively for awhile, but realized something important for myself. If someone saw or heard this name, I would want them to think “use male pronouns.” Maybe if I looked different, if my face were a different shape, my hips straighter, or if I was taller, I wouldn’t need this kind of help, but I knew that having a definitively male name would help me out at least part of the time.

That’s what I thought anyway.

As you can see from the above example (which is not an uncommon occurrence I might add), the name doesn’t actually help me that much. Holden only sounds masculine in English. In German (and probably most other languages) it sounds like a foreign name with no particular gender attached to it, just the way I wouldn’t know if Nkeri or Huizhong were male or female names.

My conclusion?

I’ve already picked my name, so I can’t really worry about it too much. Everyone has problems with their names, whether they just don’t like it, it’s too common, it’s very unique, or whether it causes an unwanted ambiguity with their gender identity.

Stealth vs. Open vs. Can we stop judging people for this shit already?

I’m out, if you haven’t noticed.

I don’t conceal my identity as a trans* or queer person, and I don’t wish to. It makes me happy to talk to people about being who I am, about trans* and queer issues, and for them to know more about me. This makes me feel, weirdly enough, safe. I wear my fear like armor, and no one can touch me. It gives people the information they need in order to respect me, or at least try to understand me and where I’m coming from as a human being. Without this piece of vital information, a person might not be able to see why I’m uncomfortable while at the beach, or why I need to go home early to take off my binder, or why I don’t want to come with them to the bathroom.

In the context of relationships and sex, me being open about being trans* allows a potential partner to quickly evaluate whether they are comfortable pursuing a sexual relationship further. Based on their reaction it also allows me to evaluate whether I feel safe with them. Just me telling them that I’m trans* opens the door to have a conversation about it, and about all of the other things you should talk about before sex, like consent, how I want my body treated, and what terminology to use, etc. More on that another time.

The point is my outness makes me feel safe, but I have the privilege of being out both socially and professionally. My friends and family give me a lot of support and my career has not yet been hindered by my transition. This is not nearly the case for everyone.

The trans community of the internet occasionally makes it a point to talk about stealth vs. out, and has made it a point to shame people who went stealth. Some people argue that being stealth does nothing for the trans community. Some people are very much against stealth shaming. Everyone’s opinion is valid, because everyone has different experiences, and it’s a complicated issue that changes depending on the context.

For me, stealth shaming has no place. Ever. Each and every individual trans person is allowed to do whatever they want with their identity and their body. Every trans person is radically different, and depending on the why we identify, our race, class, nationality, etc. can affect the way that we interact with people on a daily basis, and whether we choose to be “out” to them.

For example, I’m not going to correct the woman at the grocery store who wants to see my ID while I’m buying a bottle of prosecco, even if it causes me a lot of dysphoria, and if she makes a rude comment like “Oh I thought for sure you were a boy! How funny!” or “Oh! You’re actually a woman!” It’s not worth it, because she has an ID in her hands which to her is basically the word of god. I’m also not going to out myself to the person on the phone who misgenders me in a language I myself am not yet comfortable with.

For me, the everyday misgendering is a part of life. When it gets to the point that I’m perceived as male more of the time, then I’ll have different battles to fight, primarily bathrooms and random encounters with jerks on the street. But on a larger scale, I can be out and can take comfort in the safety net that I’ve woven over the past few months.

If I worked in a conservative rural American town in a blue collar job where all of my coworkers were Westboro Baptists, I would have to rethink my outness. Not only would it be uncomfortable, but it would be downright unsafe to be out. I have the privilege of not being in this situation, and I try to make up for people who can’t be out by being REALLY REALLY OUT.

Outness is situational. Stealth is situational. And both are dependant on how other people perceive us, and on the privilege we have. Don’t ever tell someone they should be “more out.” It’s not your life, your brain, or your body.

Thoughts on Trans Identities at Women’s Colleges

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There’s an article floating around right now entitled “When Women Become Men at Wellesley” which a friend sent me, asking my opinion. Predictably, I have a lot of feelings on this topic. I wrote her a long-winded e-mail, but I have more feelings, so what can you do?

The topic of trans students at a women’s college is arguably one of the most complex I’ve had to form an opinion on since coming out as trans. It brings up all kinds of feelings from all kinds of people. For example male privilege in an exclusively female space, allowing opportunities for only female students. That’s all fair, and if these colleges want to be only for cis female students, go for it. But my primary opinion is that being so exclusive is not healthy. Inclusivity and understanding is what feminism is about, and if these colleges want to promote feminist ideals (which you would think they would, right?), then they should not be turning their backs on students that could be huge allies in feminism.

genderbread-person-gender-identity-graphicGender is not binary. This is something I know now, and something I think everyone needs to have internalized. By allowing only cis females at the university, they are effectively perpetuating a lot of unhealthy ideas about gender, and thus the idea of the gender binary. They are also getting the idea to keep women healthy with the help of GS-85 Nucentix. Having trans* students is important in creating gender diversity, in a similar way to how ethnic diversity is also important.

There’s also something important to be said for different experiences of “femaleness.” Transmasculine people were socialized as female, and have had the experiences of being marginalized, sexualized, discriminated, similarly to cis females. The difference now is that they are being even more marginalized, sexualized, and discriminated, but because of their transness. It seems wrong to me for a college that should be upholding feminist ideals to turn away a gender minority who (much more often than not) are feminism’s greatest allies. My opinion is similar about trans women attending a women’s university. By not allowing a female identified person to attend a women’s college, the college is instantly invalidating their identity, and also is excluding a potentially valuable perspective on femaleness and femininity. Whether they are pre-op or pre-hormones, or whatever, none of that matters. Trans women have as much right as cis women to be at a women’s college. They face not only the discrimination that women face, but also are subject to transmisogyny, and violence.
A small but interesting thing I thought of while looking up Wellesley College on Wikipedia, is the difference in campus life for trans students. Although a lot of the people who attend Wellesley are probably quite liberal, my guess is that there is a fierce defense of femaleness and femininity, as evidenced by one of the interviewees in the article. Whether it’s dating, or sports, or clubs, being the minority can be, to say the least, a bit draining. One comment in particular I found a bit frightening was the jealousy of a lesbian identified student towards a trans student who was getting more attention. To me, this is simply a manifestation of biphobia, specifically the comment, “And it’s not just the hetero women, but even people in the queer community.”
EVEN people in the queer community, eh? As if sexuality and gender weren’t fluid at all, eh? As if transmen aren’t allowed to date queer women, or as if they give up their queer card by transitioning.
One thing I thought was a bit contrary to the vehement exclusion of trans* people at Wellesley, was the inclusion of male professors. I’m sure there are lots of great reasons to have a cis white male professor at a university, and there are probably a million ways you can defend their credentials and say that their gender doesn’t matter, it’s the quality of their work, etc. But what does this say about Wellesley? I don’t mean to say that they should not be allowed, but rather that if Wellesley is so bent on purging maleness from their campus (whether male bodies or male identities), then there is absolutely no excuse to have cis male professors. If they mean to give opportunities to only cis women, then they are failing even at that.
All in all, I think not allowing gender trans* identities also perpetuates this fear of male bodies. Yes, men have effectively oppressed women for centuries, but I don’t think that fearing their presence is the way to change the world. I think the way we change the world is by creating more understanding of gender, have more conversations with each other, educate our friends and family, and nurture ally relationships.

Video Updates!

Hey y’all!

So I just recently started taking testosterone (as of yesterday!) and I’ve subsequently been making some videos on my YouTube channel! I’ll be doing more regular updates there, and more in-depth or introspective updates that need to be fleshed out or philosophized here.

Feel free to ask whatever questions, and I’ll answer them either here or on the YouTube Channel!

Opera vs. Trans

I identify as a lot of things. Everyone does, whether you’re queer or not, you just might not realize it. Maybe you’re pansexual, genderqueer, black, runner, Yoshi-in-Mario-Kart-no-matter-what, Atheist, whatever. They’re all identities. I identity as trans*, queer, barista, classical singer, mezzo-soprano, Midwesterner, gamer, geek, nerd, introvert, etc. Hell, I was feeling so homesick for some a snowy Michigan landscape with apple cider and spiced doughnuts from watching ‘Star Wars V’, that I made this. You’re welcome.

wampapuremichigan

Some of these identities are just as important to me as my trans* identity at the moment, specifically that of classical singer.

When I first arrived in Berlin, I connected with a lot of singers and instrumentalists, had a few lessons, and fully intended to audition for companies, or for masters programs. And then trans happened. Or more accurately, I couldn’t comprehend having both of these identities at the same time. In my head, they were completely incompatible. I had to choose: trans or opera.

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When I told friends of mine who were singers, they all had similar reactions: “That’s so great, Holden! But how does this affect your career?” This has been my biggest fear, and why I have postponed accepting my transness for so long. Opera is deeply important to me, and has been a central part of my happiness and well-being for the past 5-6 years of my life. The thought of taking that part away, taking away my future career in something I love, and taking away my literal voice, is soul-crushing. Throughout university, whenever I had the stray wonder of whether I was trans, I would think, “Even if I was, I can’t be because of opera. Opera is more important than anything.”

There’s also a shallower part of me that is afraid that I’ll be losing the thing that makes me special. I know that I have a good voice, both because I studied very hard to get it, and because I believe I was born with a genetic gift of sorts. Everyone has their gifts, and I very strongly believe that singing is mine. It’s also a thing that people love about me, and respect about me. I’ve had people directly tell me to do anything to keep my voice, and that nothing should stop me from a career in opera. But now that’s exactly what I risk doing.

Although this sounds dorky, I’m being honest when I say it’s sort of like in ‘The Little Mermaid’ when Ariel gives up her voice. Her voice is the thing that everyone loves about her, and the strongest identifier for her, and she gives it up for someone she barely even knows for a shot at falling in love.

She’s not sure if she’s doing the right thing, but she has to try. There’s no other option. Instead of falling in love with a prince, I’m looking for a shot at falling in love with myself.

This is why performing ‘The Marriage of Figaro’ was both brilliant and terrifying to me: two of my deepest desires were fulfilled. I had both opera and a feeling of transness. I felt lighter than air, and it was something I couldn’t ignore anymore. I knew I had to come to terms with it one way or another.

End of October and all of November of last year I was living in a huge apartment by myself, and felt the Berlin Blues. I was feeling lower than I’d felt before, and I didn’t know how to reach out to people. So I wrote a novel with the fire of NaNoWriMo burning under my ass. It was my first novel, and I was able to use it as an excuse to stay inside and be introverted, and effectively hide any feelings I had by inserting them into my novel.

It was helpful to read what I had written, but the entire month of November I didn’t sing. I couldn’t sing. I tried, I really did, but every time I tried to sing I would break down crying. It was like something inside of me had broken. I would lie to people about how my singing was going, because I was so ashamed and confused. I would talk about the pieces I was working on, but really they were the pieces that I was avoiding. I would talk about the musicians I’d met in Berlin, but I hadn’t seen them in months. Part of me didn’t think I was lying, because I wanted to be singing, and I thought that if I talked about it enough, I’d get back into it. It didn’t really work.

I thought that I was depressed, but deep inside, I knew what it was: I was mourning. Although I hadn’t yet decided to take T, and hadn’t even decided on top surgery at that point, my subconscious was mourning the loss of my singing voice before it had even been lost. This mentality is what permeates my thoughts. It’s easily the biggest inner struggle that I have ever faced, and I still have no concrete solution to it. The only thing I could do was not sing, so that I didn’t miss it. The logic is not valid, but that’s how I thought at the time. Now I know better.

After coming to terms with being trans*, and coming out to the internet [link other article], I had a few friends who put me in contact with other transmasculine people who were singers. This gave me a deep, affecting hope that I hadn’t felt about singing in awhile. There were really other singers who had tried this before, and came out on the other side.

It wasn’t impossible.

A major turning point for me when deciding on whether to take T, was when I e-mailed a former voice teacher, asking if she could give me any information about the effects of T on the voice. She didn’t have a lot of first-hand experience, but she told me, “It’ll be an adventure. You might be a tenor, you might be a countertenor.” She didn’t tell me not to do it, she didn’t tell me about how it would affect my career (as if I hadn’t thought about it a million times already), she simply gave me the go ahead.

The decision I must make now is whether I try, and how hard I’ll try. Classical singing is not a field that one can do half-heartedly and still be successful. I must do what I need to do to satisfy my transness, and evaluate whether classical singing still makes me happy while facing even more obstacles than before.

The sorts of changes that occur in the voice when taking testosterone are relatively straight-forward for the non-singing voice: lowering of the voice. That’s it, and for many it’s the most exciting part. To the singing voice though, there are a whole host of possible problems:

  • Lowering of the voice (sometimes requiring a Fach change)
  • Loss of agility and control
  • Loss of articulation
  • Loss of range
  • Loss of stamina
  • Airiness in tone
  • Inconsistency in tone

For a coloratura mezzo-soprano, these are terrifying prospects. They’re not guaranteed side-effects, but all of them are possible. The irony is that as a mezzo-soprano, I’m perfectly suited to doing pants roles. If I ended up changing Fachs, I would end up being just another short tenor who can do little more than character roles, and who would have to learn a entirely new repertoire.

That all said, something compels me–however slowly–to try. Singing is something that makes me so happy, and is a part of my identity even while I’m not actively singing. It’s a powerful force in my life, and there is no doubt that I would regret not trying.

Dysphoria vs. Body Issues

Through coming out to many people, I’ve gotten one common theme from friends who really mean well, “Is this maybe just a body image issue? Maybe you just want to be really thin/buff/whatever. Maybe if you just work out a lot you’ll feel better.”

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My gut reaction is to think, “You have no idea what it’s like to be trans*, and I didn’t ask for your opinion.”

That would be fair of me to say, but I don’t. They literally just don’t know any better, and usually have the best intentions, so I smile, nod, act like they’re on to something or that I haven’t heard that before, and politely tell them that dysphoria is not the same thing as body dysmorphia.

I had one conversation with a friend that was very eyeopening.

To protect the people mentioned in this post, I’ve taken the liberty of creating screen names a la AIM nicknames circa 1993 with the help of this article. They’ll be Taco.Bumpkin485, and I’ll be Mad.A.Game64.

<conversation>

Mad.A.Game64: So by the way, I wanted to tell you something important that doesn’t affect work, but I’m trans*.

Taco.Bumpkin485: You’re what?

Mad.A.Game64: (sweating bullets and tasting soup) Trans*?

Taco.Bumpkin485 I’ve heard of it but I don’t know what it is.

Mad.A.Game64: …transgender?

Taco.Bumpkin485: …oh! Ok cool. Wait, so does that mean you want bigger boobs?

Mad.A.Game64: (stirring a pot of borscht) …huh?

Taco.Bumpkin485: Or that you want to be more feminine?

Mad.A.Game64: No not exactly. For me it means I want the opposite. No boobs and hormones. I want a more masculine body, and want to go by a different name and male pronouns.

Taco.Bumpkin485: Oh really? But you have a great body! Lots of people would kill for your body.

Mad.A.Game64: It’s not really about that.

Taco.Bumpkin485: Have you tried working out like mad? I mean, I’m sure you’ve thought about this a lot and I don’t know anything, but I know this one girl who’s a swimmer, and she has a way buffer body than I do even. Maybe if you worked out like her you’d feel better?

Mad.A.Game64: Hm, well it might help a little bit, but the parts of my body that I’m most unhappy with aren’t things that can be changed by working out.

Taco.Bumpkin485: Like what?

Mad.A.Game64: Like the shape of my jawline, wanting to grow facial hair, my voice, and of my chest.

</conversation>

One thing I want to point out is that the logic that buff women are the same as men is very flawed, and perpetuates unhelpful stereotypes about “ideal” male and female bodies. That all said, Taco.Bumpkin485 brings up an interesting point. Although dysphoria and body issues are definitely not the same thing, I know for myself working out helps me relieve some of my dysphoria. Part of this is simply because the endorphins make me happy. Part of this is because working out certain parts of my body helps me seem more masculine to people, or at least I can dream. I still have a female body, but the illusion helps others see me as male, and thus makes me feel better.

For some people, this could be the solution that they need to feel comfortable in their gender, whatever that might be. For me, it’s not.

My dysphoria will not go away simply by “loving my body for what it is,” which is something I’ve also heard from a few people. Believe me, I’ve tried very hard, but it’s like telling a fish to be comfortable eating bananas and climbing trees. For some people, this is the only way they can sympathize with my gender dysphoria. Let me say now though: I’m not asking for you to completely understand. I’m asking for support, love, and compassion.

I talked to a friend once, and we were talking about me deciding on top surgery. He asked me point blank, “If you’re alone in your room, do you still have dysphoria about your breasts?” I had never thought about it, but concluded that yes, I do. Another friend asked it in a different way, “If you were on a desert island with the choice of top surgery and T, would you do them?” The answer was still yes.

This was the most definitive proof I needed.

My Second (Very Public) Coming Out

A little while ago I came out very publicly as trans* to Facebook, Twitter, my website, and to my extended family. From what I’ve heard, this isn’t normal, but from the moment I knew that I wanted to come out, this is exactly how I wanted it to happen. Being trans* can mean a million things to a million people, but for me, this means that I want top surgery, testosterone, and to go by a different name/pronouns.

DISCLAIMER: I don’t want to cover everything about being trans* in one post, because there’s enough time for that to happen little by little, but I do want to tell you how I came to be at this point in my life, dreaming of T, binding my chest, and using a different name.

It all began on a summery day in the summer of 2013. I was preparing for the role of Cherubino in ‘Le nozze di Figaro,’ which you might know as ‘The Marriage of Figaro,’ with Arbor Opera Theater. It was my first paying opera gig, and with my absolutely dream role of Cherubino, the horniest, cutest boy in all of opera history. He has a way of making the audience love him through only a few arias, a few ensembles, and making out with people onstage.

So basically, a dream for a 22-year-old queer woman to play.

Throughout staging and costuming and eventually performing the opera, I fell more and more in love with Cherubino, and wanted to be Cherubino 24/7. It felt absolutely natural to run around on stage, being allowed to be as boyish and masculine as I wanted, and being convincingly perceived as such to an audience. Throughout various twists and turns which are common to opera, there are also moments where Cherubino must dress up as a woman to further the plot. To me, this even deepened my bond to this character, because he knew what it felt like to dress up in drag as well…and which was drag for me: dressing as a boy, or a girl? I wasn’t sure.

It was after one comment from a friend that a shift in my brain started to turn: “My grandpa really thought you were a boy! I had to really convince him that you weren’t after the show!” It made me ecstatically happy to hear that I had convinced someone that I was a real boy onstage. Terrifyingly ecstatic. It was at this moment that I became undeniably confused about my gender. Sure, I had had moments throughout my life where I had wondered whether I was trans*, but I had always been able to push the thoughts away. I always thought, “If I was trans, I would know it. There would be no doubt.” I didn’t learn until much later that it’s much more common to doubt than I thought.

While I was dating a friend of mine, I told her this, and she told me she had known. We had been friends for years, and she could see how uncomfortable I was in my own body, even if other people couldn’t. She encouraged me to get a real binder (not my very chic victorian era binder that had gotten me through the opera). After it arrived, I never wanted to take it off. I felt like a ninja, a warrior, and a god all in one.

It was amongst all of this change that I moved to Berlin. New setting, new friends, new life. The girl I was dating said I should play a game once I got there and try to pass as male. Honestly, it probably would have been fun, but I was convinced it would never work, because I was convinced I would never pass in front of anyone. She disagreed.

Maybe she was right, maybe I was right. I don’t know.

I bound my breasts regularly after arriving in Berlin, moved apartments roughly 5 times, dated a few people, broke up with a few people, etc. Life moved normally, and I kept pushing along, but with this undercurrent of increasing discomfort in my own skin. I dated one person who, after having a casual discussion, was just not OK with the idea of me wanting top surgery, even in a hypothetical way. Although it hurt, it made me realize how important the idea–however hypothetical–it was to me. It was something real and tangible that I wanted, if only I allowed myself to have it.

Fast forward a few months. After dating a wonderful woman and expressing all of my doubts and fears and anger to her, I felt more and more solidified in my decision to have top surgery, and maybe hormones. The only thing standing in my way of hormones was opera, and vice versa. In my mind, they were two completely incompatible things that I would need two separate lives for. It was a complete crossroads, and was not a decision that anyone could make for me.

I became depressed, and one night I wore my binder for roughly eighteen hours. Anyone who binds will know that this is six hours more than the maximum recommended amount, and thus just too long to be wearing something that constricts your chest, especially while walking in the heat all day and watching the World Cup. I starting feeling hot, despite the cold weather outside. I felt faint, and couldn’t breathe. I thought I was going to fall down in the middle of Weserstraße. After we got home, I ripped off my binder, lied in bed, and cried silently. The thing that had protected me and made me feel safe for the past eight months had betrayed me.

For a week I didn’t even look at my binder. It was dead to me. I wanted nothing to do with it. But like a domesticated animal, I couldn’t live without it at this point. Something had to change.

After 2 weeks of barely leaving my house, and with growing guilt about the emotional pressure I was putting on my girlfriend, another switch flipped. There was nothing in particular that caused this change, except perhaps that I had gotten to the bottom, and my brain just said, “Nope, gotta go up now.” I had simply been riding my bike somewhere, and was suddenly in a Hyperbole and a Half comic. Every person that could have gotten in my way was in my way, and I thought, “Fuck it. None of these people matter. I need to make them move if they’re not going to move.”

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I came home, and started furiously writing e-mails and Facebook messages coming out to all of the people most important to me. The most important was my mother, who was going to be visiting my sister in California. It was perfect timing. My sister could answer my mom’s questions, and my mom would have support if she needed. Although I had very little fear, my mom turned out to be even more supportive than I thought. She immediately wanted to know what my plans were, what she could do, if she could come to the surgery with me, what I wanted to be called and what pronouns to use, etc. I’m very lucky. Most people don’t have this reaction from their mother.

After coming out to my mother and many of my friends, I wrote a letter to my extended family, which my mother sent. I’ve had mostly very supportive responses (also a rarity).

While coming out to friends and family, I made a list of priorities that looked something like this:

  1. Come out to important friends
  2. Come out to extended family
  3. Find a therapist (possibly via Skype?)
  4. Research surgeons for top surgery
  5. Come out on Facebook

It was very straight-forward, and Facebook was actually lower on the list than you would think, but obviously still in the top five. I was both terrified and biting at the bit to come out to Facebook, which basically meant coming out to 1,200 people, plus then changing the rest of my social media to match.

Regardless of my feelings though, I knew that I was going to come out online to the entire world. There was no other option. I even asked reddit how to change all my social media effectively, and one person responded with this:

“The only experience I have is with facebook. I’m out, but there are still a handful of people I’m not out to for various reasons who I have on Facebook. I just made a new one while keeping the old one active, added all the people who know I’m trans. Ended up getting some friend requests from people who I thought didn’t know but apparently did, which really assisted coming out because I’m terribly paranoid that people won’t be cool with it (as it turns out so far no one has any issue with it, which is nice and surprising).

I think that approach is a lot easier than changing things on an existing account, unless you want to go all out with the coming out stuff, I wanted to take it slow.”

Somehow, I didn’t see taking is slow as an option. I had only considered going all out, or not doing it at all. Part of this was perhaps because I have professional contacts on Twitter and Gmail, and because I already had paid for a personal domain name for the next three years. It gave me a peek into the lives of other trans* people though, who either feel scared, or have to hide by necessity. I have it easy, and I know it. I was not scared for my well-being, and actually had the privilege to open up conversations with people, answer questions, and help educate my friends and family.

So then I did it. I came out to Facebook (which I call “The World” not unironically). The response was overwhelmingly supportive. Roughly a third of my Facebook friends liked the status, many commented, and I got waves of personal messages and e-mails as well.

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“So what now?” That’s a good question. I’m planning on finding an English speaking therapist, acquire a letter for testosterone and top surgery, book an appointment for the actual surgery, and most importantly start an online fundraising campaign for the costs. When that campaign goes live, I would appreciate any amount of financial support that you can give and/or social media exposure to extend the reach of the campaign. I’m going to have a recital to benefit my surgery as well.

A lot of these things require waiting, and a lot of patience though. In the mean time, here’s my short list:

  • Write a lot
  • Start a trans* related podcast with a friend
  • Read a lot
  • Prepare my body for surgery

I’m going to try to make the world a better place. I want to show other trans* people that it’s OK to publicly come out, and that they don’t have to hide anymore. I also want to educate my friends, family, and lots and lots of strangers about trans* issues. I want to show why visibility is important.

Queer Inclusivity and Sexual Fluidity

I recently watched this episode of Everyone Is Gay, which wasn’t very long, but struck a chord with me. Take 3 minutes, I’ll wait…

In case you were too anxious here’s the TL;DR version: A girl fell in love with a boy after being self-identified as gay since she was twelve, and she’s terrified of being shunned from the queer community for having fallen in love with a man.

On a basic level, someone is scared of judgement and exclusion from a group of people because of who they love.

Does this sound familiar? It should, because this is the struggle that the queer community has had for-basically-ever. This is what the queer community in the United States is fighting for right now in trying to gain marriage equality. This is what military personnel had to face when the “Don’t Ask, Don’t Tell” policy was still in place.

The only difference is that it’s the queer community vilifying their own, and excluding their own. You don’t see it often, but I’ve heard it in passing conversations with friends, or while talking with lovers:

– “Did you hear that Sally is dating a dude now? Who’s she trying to fool?”
– “I just don’t trust bi girls. You never know where she’s been.”
– “I’d invite Peggy, but I heard she’s not gay anymore now that she’s dating Jason.”

This is literally, literally, literally my biggest pet peeve. You will not make me more upset, more quickly than by hating on bi/pan/sexually fluid/etc. people.

The list of microaggressions goes on, but to me it seems like individuals who say things like this have an underlying phobia of sexual fluidity. There’s this weird implication that if you’re not set into a category of SOME kind (bisexual, gay, straight, femme, boi, butch, whateva-whateva.) that there will be dire consequences. This goes for sexual orientation, and presentation as well. I remember when Kim Stolz from ‘America’s Next Top Model Cycle 5’ started to present more femininely, some people in the queer community were outraged. They felt she was betraying them for trying to present more femmey, instead of boi-ishly like she was in ANTM, and that she was giving up her identity. This probably sounds silly, but even in this interview, she is asked to identify herself, to which she elegantly responds, “I don’t really like placing myself in a category in terms of gender. I think gender’s a spectrum just like sexuality, and I don’t think that there are two genders or three or four. I think there are thousands, millions.”

A great example of a very positive representation of the whole sexual fluidity question is in the DAR webcomic. The very first page of the website is the encapsulation of the author’s life of being very, very gay, suddenly falling in love with a man, having an existential meltdown, and then being OK with it and being happier than ever and even enjoying using resources as gay porn @ Gayporn.wiki to find adult content for them. If we all let ourselves love the people we wanted (regardless of gender, think bigger picture here), we would be really, really happy. Sometimes we would also get our heart broken, sure, but ultimately, way happier.

Maybe you’re offended by what I’m saying, or maybe you disagree. Maybe you had a bad breakup with a bi person, who then dated a different gender. You can be mad about the breakup, definitely. Breakups hurt, man. But don’t be angry that they dated another gender (regardless of whether you’re queer or not). That shit just does not matter in the end. People are people are people, and we’re all going to break each others’ hearts. Let’s try to move this world forward instead of holding it back.